{"id":1131,"date":"2015-08-19T10:35:44","date_gmt":"2015-08-19T10:35:44","guid":{"rendered":"http:\/\/www.peterbok.com\/site\/?page_id=1131"},"modified":"2024-08-23T12:17:11","modified_gmt":"2024-08-23T02:47:11","slug":"2015-still-life","status":"publish","type":"page","link":"https:\/\/peterbok.com\/site\/2015-still-life\/","title":{"rendered":"CV"},"content":{"rendered":"

Selected Biography<\/h2>\n

2023<\/strong>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 Travel to Berlin, Amsterdam and London<\/p>\n

2018<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Travel to Japan<\/p>\n

2016<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Travel to India, Kochi-Muziris Biennale<\/span><\/span><\/p>\n

2014<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Travel to Amsterdam, Berlin and Antwerp<\/p>\n

2011<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Travel to Malaysia, Turkey, Germany, France and Hungary<\/p>\n

2005<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Travel to Budapest, Amsterdam and Berlin<\/p>\n

2000<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Established BAP\u00ebA Art School and Studios, BAP\u00ebA Gallery<\/p>\n

1999<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Returned to Adelaide<\/p>\n

1998<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Residency in Sydney<\/p>\n

1996<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Travel to The Netherlands,\u00a0 Portugal and Spain<\/p>\n

1993<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Continuing Member<\/p>\n

1995<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 First Street Studios<\/p>\n

1992<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Travel to The Netherlands, Germany, Spain and Portugal<\/p>\n

1989<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Commenced Lecturer\u2019s Position, North Adelaide School of Art<\/p>\n

1988<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Founding member First Street Studios, Brompton<\/p>\n

1987<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Joined Floor Two Studios Adelaide<\/p>\n

1986<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Returned to Adelaide<\/p>\n

1984-5<\/strong> \u00a0 Residency in West Berlin, Germany<\/p>\n

1979<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Commenced Fine Arts Degree, Rietveld Akademie, The Netherlands<\/p>\n

1978<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Took up residency in Amsterdam<\/p>\n

1977<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Commenced travel to Asia, North Africa and Europe<\/p>\n

Education<\/h2>\n

2000<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0 Certificate in Small Business Management<\/p>\n

1993<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Therapeutic Massage Certificate AIDS Council SA<\/p>\n

1992<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cambridge Certificate Teaching English as a Foreign Language, International House, Madrid<\/p>\n

1989<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Basic Methods of Instruction, Adelaide College of TAFE<\/p>\n

1984<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Graduated, Bachelor of Fine Arts, Gerrit Rietveld Akademie, Amsterdam, The Netherlands<\/p>\n

1978<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Attended\u00a0 Rutherford Art School, Malaga, Spain<\/p>\n

1976<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Graduated Bachelor of Laws, University of Adelaide<\/p>\n

Employment<\/h2>\n

2009<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0 Set Design, Adelaide University Theatre Guild Richard II<\/em><\/p>\n

2007<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0 Drawing for the Painter Workshop & Figure in The Landscape Work Shop Broome, WA<\/p>\n

2002<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Curator SPIRIT OF THE WEST, Adelaide Festival of Arts<\/p>\n

2001<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Exhibition Co-ordinator, Nexus Gallery<\/p>\n

2000<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0 Co-ordinator Final Event <\/em>On the Streets Program, The City of Adelaide<\/p>\n

2000<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0 Consultant: Feasibility Study to Establish Arts Centre, The City of Charles Sturt<\/p>\n

2000<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0 Lecturer in Drawing and Painting,Onkaparinga TAFE<\/p>\n

1999<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0 Lecturer in Drawing (part time), North Adelaide School of Art<\/p>\n

1999<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0 Teacher of English as a Second Language (part time), SA Adelaide Language Centre<\/p>\n

1998-9<\/strong> \u00a0 Teacher of English as a Foreign Language, Australian College of English, Sydney<\/p>\n

1998<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Exhibition Coordinator, The Timeless Aegean,Touring Exhibition, Nexus Gallery Adelaide<\/p>\n

1997<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Visual Arts Coordinator, FEAST FESTIVAL Adelaide<\/p>\n

1997<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lecturer Painting and Concept Development, North Adelaide School of Art<\/p>\n

1994\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lecturer in Life Drawing, Centre for Performing Arts Adelaide<\/p>\n

1994<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Visual Arts Coordinator, Nexus Multicultural Arts Centre, Adelaide Festival Fringe<\/p>\n

1993-4<\/strong> \u00a0 Visual Arts Project Officer, Nexus Multicultural Arts Centre, Adelaide<\/p>\n

1993<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0 Lecturer in Community Arts, General Drawing, Tutor in Art History, North Adelaide School of Art<\/p>\n

1991<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0 Appointed to the Visual Arts, Advisory Committee, Adelaide Festival Fringe<\/p>\n

1988<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 Lecturer in Painting, General Drawing,\u00a0 Life Drawing, North Adelaide School of Art<\/p>\n

Selected Group Exhibitions<\/h2>\n

2021<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Finalist RSASA Portrait Prize<\/p>\n

2018<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Finalist RSASA Portrait Prize<\/p>\n

2013<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Finalist RSASA Portrait Prize<\/p>\n

2013<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Finalist Yaccatracks Art Prize<\/p>\n

2012<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Finalist Fleurieu Food and Wine<\/p>\n

2012<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Finalist Hans Heysen,Still Life Prize<\/p>\n

2007<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Finalist Advertiser, Contemporary Art Award, Advertiser Building<\/p>\n

2007<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nexus Members Exhibition<\/p>\n

2006<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fleurieu Invitation Exhibition<\/p>\n

2002<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nexus Members exhibition<\/p>\n

2002<\/strong>\u00a0\u00a0 \u00a0\u00a0\u00a0 TWENTY BIG ONES, Art Images<\/p>\n

2000<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 DEFILING THE OBJECT, Gabriel Gallery Melbourne and Sub Station Gallery, Singapore<\/p>\n

1998<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Willoughby Art Prize, Finalists Exhibition, Sydney<\/p>\n

1998<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 DEFILING THE OBJECT, Nexus Gallery, Adelaide Festival of Arts<\/p>\n

1997<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 GROUP SEXUALITY, The Urban Cow Gallery<\/p>\n

1993<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MEMBERS EXHIBITION,The Contemporary Art Centre, Adelaide<\/p>\n

1991<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ADELAIDE ART PRIZE, Finalists\u2019 Exhibition, Festival Centre<\/p>\n

1991<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 DRAWING EXHIBITION, Artist Resource Centre, Yinnar, Victoria<\/p>\n

1990<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 FIRST STREET AT THE FIG, Fig Gallery<\/p>\n

1990<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 STAFF SHOW, North Adelaide School of Art<\/p>\n

1990<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 VESSELS,Vincent Gallery<\/p>\n

1990<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 VISIONS OF ADELAIDE, Art Images<\/p>\n

1989<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CCP: Three Painters,The Contemporary Art Centre<\/p>\n

1988<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 RELATED MATTERS,Festival Centre, Adelaide Festival of Arts<\/p>\n

1988<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ROLLING TOWARDS BETHLEHEM Experimental Art Foundation<\/p>\n

1987<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 THE NEW NEW Lion Arts Centre Adelaide<\/p>\n

1987<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MALERN AUS AMSTERDAM, Galerie Parade Reposte, West Berlin<\/p>\n

1984<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1980 selected group shows in Europe<\/p>\n

Solo Exhibitions<\/h2>\n

2024<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Urban Crawl, Bap\u00eba Gallery<\/p>\n

2023<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Drawings to Canvas, Bap\u00eba Gallery<\/p>\n

2022<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Those who Doubt, Bap\u00eba Gallery<\/p>\n

2019<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Circa Quasi Quasi, Bap\u00eba Gallery<\/p>\n

2017<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Recent Paintings, Bap\u00eba Gallery<\/p>\n

2015<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Art of Drawing, Bap\u00eba Gallery<\/p>\n

2014<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Conduit Metropolis, Bap\u00eba Gallery<\/p>\n

2013<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Via Dolorosa, Bap\u00eba Gallery<\/p>\n

2012<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Still life: New Life, Bap\u00eba Gallery<\/p>\n

2011<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Istanbul \u2013 Berlin, Por2gal, Hahndorf<\/p>\n

2006<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Check this out!, Bap\u00eba Gallery<\/p>\n

2005<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Portraits, Bap\u00eba Gallery<\/p>\n

2003<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prossimo,\u00a0 Bap\u00eba Gallery<\/p>\n

2002<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Avenue, Bap\u00eba Gallery<\/p>\n

2001<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 RESONANCE, Bap\u00eba Gallery<\/p>\n

2000<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 RETRO:INTRO, BAP\u00ebA Gallery<\/p>\n

1999<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 AN ABSENCE OF DESIGN, Greenhill Galleries, Adelaide<\/p>\n

1999<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 AN ABSENCE OF DESIGN, Level Gallery, Sydney<\/p>\n

1997<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 WHO KNOWS THIS MAN? Tapas Gallery, Adelaide; Raw Nerve Gallery, Sydney<\/p>\n

1997<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TATS -no colours, no patches,The Rhino Room Gallery, Adelaide<\/p>\n

1995<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 IN THE OFFING, The Red Shed Gallery, Adelaide<\/p>\n

1992<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 RECENT PAINTINGS, Access Contemporary Art,Sydney<\/p>\n

1990<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 IMMERSION, Chesser Gallery, Adelaide<\/p>\n

1988<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MOMENTUM, Chesser Gallery, Adelaide<\/p>\n

1987<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 AMS – ADE, Zone Gallery, Adelaide<\/p>\n

Represented<\/h2>\n

The Art Gallery of South Australia<\/p>\n

SDA Employees\u2019 Association Adelaide<\/p>\n

Wilderness College Adelaide<\/p>\n

Awards<\/h2>\n

2002<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nexus Visual Arts Award<\/p>\n

1999<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pat Corrigan Artist Grant, NAVA The Australia Council<\/p>\n

1998<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Rocks Art Prize, Highly Commended Work<\/p>\n

1991<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Project Grant, SA Dept for the Arts and Cultural Heritage<\/p>\n

1988<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Project Grant, SA Dept for the Arts and Cultural Heritage<\/p>\n

Published \/ Reproduced<\/h2>\n

2013<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Adelaide Review<\/p>\n

2012<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Adelaide Review<\/p>\n

2007<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Advertiser<\/p>\n

2006<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Advertiser<\/p>\n

2002<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Adelaide Matters<\/p>\n

2002<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Messenger Times<\/p>\n

2001<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Db Magazine<\/p>\n

1999<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Adelaide Review<\/p>\n

1999<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Newtown Sydney Times<\/p>\n

1998<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Adelaide Review<\/p>\n

1998<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Db Magazine<\/p>\n

1990<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Catalogue Essay, CCP<\/p>\n

1990<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Adelaide Review<\/p>\n

1989<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Adelaide Review<\/p>\n

\u00a0<\/strong><\/h5>\n
\u00a0<\/strong><\/h5>\n","protected":false},"excerpt":{"rendered":"

Selected Biography 2023\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 Travel to Berlin, Amsterdam and London 2018\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Travel to Japan 2016 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Travel to India, Kochi-Muziris Biennale 2014\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Travel to Amsterdam, Berlin and Antwerp 2011 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Travel to Malaysia, Turkey, Germany, France and Hungary 2005\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Travel…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-1131","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/peterbok.com\/site\/wp-json\/wp\/v2\/pages\/1131"}],"collection":[{"href":"https:\/\/peterbok.com\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/peterbok.com\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/peterbok.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/peterbok.com\/site\/wp-json\/wp\/v2\/comments?post=1131"}],"version-history":[{"count":36,"href":"https:\/\/peterbok.com\/site\/wp-json\/wp\/v2\/pages\/1131\/revisions"}],"predecessor-version":[{"id":2152,"href":"https:\/\/peterbok.com\/site\/wp-json\/wp\/v2\/pages\/1131\/revisions\/2152"}],"wp:attachment":[{"href":"https:\/\/peterbok.com\/site\/wp-json\/wp\/v2\/media?parent=1131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}